KluB Mix!33 OUT NOW!

album cover with sticker

(only 300) Limited Edition Double Album OUT NOW…

Only available as limited edition double Vinyl (comes with free download in 96khz 24 Bit WAV, FLAC, ALAC (Apple Lossless), AAC, or Ogg Vorbis format or MP3 320)
Get your copy from your record shop or buy online by clicking image above
Answers to FAQ & 10 reasons why you should buy this record…!!

1. Only 292 vinyl are being made available for sale and this record will not be manufactured as a CD. It will be worth lots of money on Discogs and ebay this time next year. Cool, it’s an investment!

2. You get a download with the vinyl. If you don’t have a record player, download the twice than CD quality files and if you don’t do downloads, get a friend to download them and burn you a CD.

4. Support music and keep music evil as the Brian Jonestown Massacre would say. By buying the vinyl and using the downloads you are supporting smaller bands. CD’s need to be manufactured in their 1000’s to go into the stores. This leads to too many being manufactured and one third being returned. This costs the band money and then they have to sell the rest off cheap. It’s a crap-junk-throw-away culture and it’s not fair on the consumer or the artist.

5. Become part of the few who own it, keep it exclusive or whack it all over the net, the choice is yours.

6. **** iTunes.

7. It looks cool and sounds the way it should, because it’s on vinyl.

8. What else will you spend £20 on instead this month? Be a freak, join the KluB go to bed tonight knowing you have funded the arts and got something great in return!

9. It may prompt you to buy a record player or ask for one for xmas? A whole new world awaits!

10. All of the above and because you are a cool mother-of-a-hipster, you love Iggy Pop and what he had to say in his BRILLIANT John Peel lecture and you know it makes sense…

six by seven KluBMix33 is a unique album. In April 2013 Chris Olley started his website MuZiK KluB, which was a way of funding and being able to artistically manage his own vision for his musical and creative output. Every month Olley would sell his demo’s and his stories and photographs in an exclusive artistic package, handmade and individually signed and numbered to each buyer.

During this period Olley released over 60 songs and several mini albums before re-recording and mixing tracks to compile an album which he felt captured the dark and intense uplifting sound he was looking for, a sound which was to be reminiscent of a setlist from the 80’s Blitz Club.

“I wanted to feel lonely and detached when I wrote the music for this record, so it felt like I felt when I was 15, when I first fell in love with music properly. The music of that time was all the early synth stuff and it felt cold and industrial but pure and melodic too. It was real punk. I forced myself into solitude so I could get on with the task of self examination. I wanted it to be six by seven but I wanted it to be free from six by seven and free from the temptation to just follow on from what had gone before. I wanted detatchment, detatchment and tranquility and songs that reminded me of just being who I am, not what people want me to be.” CHRIS OLLEY

This record is six by seven firing on all cylinders, albeit with a new sound. They are in a dark basement club, jamming with Bauhaus and Fad Gadget and early Kraftwerk. At times the record is Krautrock and psychedelic at other times sparse and beautifuly melodic and with tracks like the 9 minute ‘Stealth Wind’ and the gargantuan 8 minute ‘Master Race’ it is as heavy as or even heavier than any six by seven record before.

And… as promised, everyone who bought a MuZiK KluB release was given a credit on the album as executive producer.

Food For Thought…

keep-calm-and-eat-subway-14My son is 16 and he likes to eat at Subway, Mickey Dee’s and Kentucky Fried Rat. I’m not gonna change that am I? I was a vegetarian for 27 years and brought my children up as veggies without ever stopping them from eating meat, I tried to be a good parent but in the end I can’t beat the marketing and avertising.

We went to dine at Subway the other day, it’s ever so cheap you know! I’m on this diet at the moment, to get me down half a stone, back to my ideal body weight, all I’m doing is watching calories with a rather great App called myfitnesspal. So, I’m in Subway and I see they do these low calorie sandwiches but, trouble is, I can’t tell the difference between the Lo calorie one and the normal one so I ask the nice girl behind the counter…

Me: What’s the difference between the Low Calorie sandwich and the normal one please?

Girl: One’s low calorie and the other isn’t.

Me: Yes, I understand that but what is the actual difference between them please?

Girl: (looking slightly confused) One’s low calorie and the other isn’t?

Me: So what is the difference between the Low Calorie Meatballs sandwich and the normal Meatballs sandwich?

Girl: One is low calorie and the other isn’t? We do a low calorie Meatballs and a normal one.

Me: So is there any difference in the amount of meat or the type of meat or the way the sauce is cooked or the bread?

Girl: Yes, the low calorie one is the one from the low calorie menu.

Me: I know! I get all that but what is the actual difference in the way you cook them?!!

Girl: We don’t cook anything, everything comes pre-cooked! Look mate, the difference is one is from the low calorie menu and the other one isn’t!

Me: So the one from the low calorie menu with meatballs has been made with something different to the one from the full fat menu at the Subway factory?

Girl: No?

Me: So what’s the difference between the two?

Girl: (completely irrate) I dunno, nothing I guess?

I gave up and I ordered my low Calorie sandwich off the low calorie menu.

As usual in Subway, they give you your sandwich wrapped in a yard of paper and put it in a plastic carrier bag with enough napkins for a family of four. Between walking from the counter to your seat and finishing your meal you’ve already helped half-fill a landfill site all on your own. (I once asked for no bag, no wrapping paper or serviettes and was told it wasn’t possible as it was against company regulations and health and safety. They simply couldn’t do it,  it wouldn’t have been safe for me to walk over to my crumb filled chair without my sandwich properly wrapped in company logos in a bag full of vouchers trying to tempt me back).


I sat down and got my sendvich out and found loads of hefty-paper-voucher-fliers in my big-enough-to-put-my boots-in-plastic-bag. On one of the scraps of paper I read the small print and a ‘Low Fat’ meal is referred to as ‘sandwiches prepared according to a standard recipe with meat, cheese, red onions…’. It warns you that if you ask for more cheese on it, it won’t be Low-Fat anymore and it’s not their fault. It tells you it’s ‘The Real Deal’ because it’s cheaper and better for you but that you can only have water or tea or coffee with it. Then it says: MAKE IT A FOOTLONG FOR JUST £2 EXTRA.

When I punched both the sandwich of low fat and full fat into my app to see what the calories where I was SHOCKED that they are both the same! The girl behind the counter was right, even if she didn’t know it.

So the low Calorie subway is just a sandwich with less shit on it but with the same calorific content but it’s cheaper and healthier because you sling it down with water and not a coke!


download TWELVE @ Water Rats LONDON 19/07/14

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A 24 Bit WAV download of the TWELVE set played by myself and Pete Stevenson at The Water Rats last Saturday is now available for free or please give us a donation from HERE. Special thanks to Goodsoul Promotions for putting us on.

The Lamb Lies Down On Talbot Street














I was watching Australian neo psychedelic prog rockers Tame Impala last night at Rock City and several thoughts were running through my head. First one woz: this band are great, I love ‘em.

Anyway, I was thinking about the 60’s and the 70’s which led me on to thinking about the eightees and the ninetees. This band sort of makes you do that. We compartmentalize time, fashion and music into 10 year slices, and it works, the 70’s conjures up images of flares and the 80’s reminds me of big hair and padded shoulders and yuppies and Dire Straits.

It’s not true though is it?

My Mum and her mates wore funny sixties glasses, pencil skirts and had their hair up 60’s style well into the early seventies. It’s easy to talk about the roaring twenties and the crazy sixties and the yuppie 80’s because it rolls off the tongue nicely. We don’t call that period of 1900-1910 ‘the tens’ though do we, it’s referred to as Edwardian, and the period before that is Victorian, and before that it’s Georgian or Regency and then it gets broader; periods are medieval, dark and neolithic. That’s how we will end up folks!

If you look at the charts in 1977 you might be surprised to hear music that is punk, disco, Rene and Renato, Bowie’s German period, Tamla Motown and Leif Garrett. It’s not black and white. The 70’s weren’t really the seventies; the world is moving all the time for it to be just that simple.

What is interesting about music at the moment is how it is all so fragmented and compartmentalized into genres and sub genres because it’s almost the only way it can go to be different. Before Georgio Moroder, was there such a thing as Disco? It’s beginnings were in soul music and R&B and then it got mixed up with sixties psychedelia and modern production techniques. The O’Jays were high jacked by The Bee Gees and in turn abused by an Italian German night clubber. It’s no different now, new music only ever comes about by retreading the past. The Beatles were the masters of that and they are widely regarded as the most influential and original pop group there ever was and ever will be.

So where is the Disco and the Punk and the New Romantic sound movement now? Before Joy Division, was there anything that sounded like Joy Division? Was there a Kraftwerk before Kraftwerk? Is it now just Kraftwerky Alternative Rock? I’m not complaining by the way.

Andy McCluskey of OMD said that the synth-pop of 1977-83 was “the last great populist movement of modernism”. What he means is after synth-pop, (with some exeptions like Jungle) all major movements in music would become ‘sounds-like’ music.

So 2000 onwards was the ‘noughties’ for a while but it didn’t really work did it? The nineties were more naughty than the noughties. Is this decade just too new to be celebrated yet? We can talk about the 2020’s as the ‘twenties’ when we get into the 2030’s and feel safe in the knowledge that we are now in the new emerging ‘thirtees’.

Is music right now simply just an extension or a revival of what has gone before? When was the last time you heard something and said: “I’ve never heard anything like that before!” Is it even possible? I like to think it is.

Music has always been informed by what has happened before, but right now there is so much music that it’s all either, a bit synthy, a bit motowny, a bit Beatlesey or a bit post-punk or psychedelic or folky. Go and read a music magazine in WH Smiths today and after the review it will probably say; ‘if you like this, try this!’ Music has become so referrential that journalists just cut straight to the heart of it by putting this label at the end of their reviews and it used to drive me mad when I used to read reviews about my own band. After every six by seven review it always recommended listening to similar acts The Jesus and Mary Chain and always always My Bloody Valentine. Our drummer became so convinced by this trend in Journalism that he broke away to form a band that tried desperatly to sound exactly like My Bloody Valentine, believing this would bring him success.

Crap. I couldn’t hear The Jesus And Mary Chain in our music at all?  I like the Mary Chain but to me thay always sounded like Phil Spector with timid vocals and screeching guitar feedback all the way through it. We didn’t sound like that did we? We never tried to sound like that! Or Radiohead? To my ears we didn’t sound like My Bloody Valentine either and I never owned a My Bloody Valentine record in my life because I saw them live once in the early ninetees and I just didn’t get it to be honest.

With the new six by seven album I’ve tried to make something that will end these comparisons and force journalists to recognize that nothing about this record is black and white (except the album artwork). Incidently, I can tell you now that the album is a double album and it is called ‘KlubMix33′ how confusing is that? I don’t know if I’ve managed to create a new form of music, of course not, but I may have created something that you can’t quite put your finger on and it possibly so different  from what has gone before that it will cause a bit of thought and confusion. I hope so.

The main thing is that the music is good; which it is! If anything it was mean’t to sound like a Blitz Club playlist, which in itself would have been a massive variety of sound.

What is interesting about Tame Impala is that they take this referencing of music and stealing from the past to such an extreme that they are creating something unique and if you are young enough not to know what they are stealing from, it will sound brand new! So back in the 70’s the Sex Pistols sat next to Marvin Gaye and Neu! and Tame Impala are not afraid to give you all three bands in one song. I believe their music is firmly entrenched in prog though, specifically the post Peter Gabriel Genesis of Trick Of The tail, Wind and Wuthering and to a certain extent Duke and Abacab. I used to listen to those albums and last night reminded me of them so much it was almost, well, great!


Watching Tame Impala reminded me of seeing the Happy Mondays in 1990 supporting James. It sounded like music I had heard before but it did make me think: “I’ve not heard anything like this before”.

So there you go, Tame Impala sound like a neo-proggy-Genesis-glam-Sabbath-Norman Greenbaum-Hawkwindy-Monkees-Floydy-Barratt-Binson Echo-esque type of Mott The Hoople band and therefore they sound like the future and they don’t sound like anything that has gone before. It’s all so confusing, just pass me the Amil Nitrate and a spliff and let me dance.

That’s it, apart from to say, cool, we got a drum solo last night too, which made my heart soar with delight! Sadly no guitar solo though. The only thing I didn’t like was that they played midi keyboards that triggered hammond, string machine and mellotron sounds from samples. I wonder what it would have sounded like if they had done it the Portishead way and used the real thing. Monster!